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UHF Magazine No. 76 was published in May, 2006. All
contents are copyright 2006 by Broadcast Canada. They
may not be reproduced or transmitted in any form, or by any
means, electronic or mechanical, including photocopying,
recording, or any information storage or retrieval system,
without written permission from the publisher.
EDITORIAL & SUBSCRIPTION OFFICE:
Broadcast Canada
Box 65085, Place Longueuil
LONGUEUIL, Québec, Canada J4K 5J4
Tel.: (450) 651-5720 FAX: (450) 651-3383
E-mail: uhfmail@uhfmag.com
World Wide Web: www.uhfmag.com
PUBLISHER & EDITOR: Gerard Rejskind
ASSOCIATE EDITOR: Reine Lessard
EDITORIAL: Paul Bergman, Reine Lessard, Albert Simon
PHOTOGRAPHY: Albert Simon
ADVERTISING SALES:
Québec: Reine Lessard (450) 651-5720
Alberta & BC: Derek Coates (604) 522-6168
Other: Gerard Rejskind (450) 651-5720
NATIONAL NEWSSTAND DISTRIBUTION:
Stonehouse Publications
85 Chambers Drive, Unit 2, AJAX, Ont. L1Z 1E2
Tel.: (905) 428-7541 or (800) 461-1640
SINGLE COPY PRICE: $6.49 in Canada, $6.49 (US) in the
United States, $10.75 (CAN) elsewhere, including air mail.
In Canada sales taxes are extra.
SUBSCRIPTION RATES:
CANADA: $62.50 for 13 issues*
USA: US$62.50 for 13 issues
ELSEWHERE (air mail): CAN$118 for 13 issues
*Applicable taxes extra
PRE-PRESS SERVICES: Transcontinental
PRINTING: Interglobe-Beauce
ELECTRONIC EDITION: www.magzee.com
FILED WITH The National Library of Canada and
La Bibliothèque Nationale du Québec.
ISSN 0847-1851
Canadian Publications Mail Sales Product No. 0611387
Ultra High Fidelity Magazine invites contributions. Though
all reasonable care will be taken of materials submitted, we
cannot be responsible for their damage or loss, however
caused. Materials will be returned only if a stamped self-
addressed envelope is provided. Because our needs are
specialized, it is advisable to query before submitting.
Ultra High Fidelity Magazine is completely independent of
all companies in the electronics industry, as are all of its
contributors, unless explicitly specified otherwise.
The all-digital issue
Until this issue, Albert was taking the widely-admired product photos
appearing in UHF with a Nikon camera on Kodak Portra 160 film. As of this
issue all his photos are digital. UHF has acquired a Sony R1 digital camera.
Yes, I know, that means we have in a sense dumped analog (film) for digital,
but in fact that ship sailed a long time ago. The magazine has been printed
digitally for something like a decade, which means that our nice “analog”
film negatives got digitized anyway before placement in our all-digital pages.
The difference: digitization is now taking place right in the camera instead
of a desktop digitizer.
Albert is delighted with the results. I think you will be too.
All color, except…
Issue No. 75 was UHF’s very rst all-color issue, and both our readers and
our advertisers took note. Oh, except for the eight-page insert in the centre
of the magazine, the one for our Audiophile Store. That remained black and
white, and on cheaper paper besides. It has been that way for many years,
with the economy paper intended to hold costs down.
But was it holding costs down, or is labor even more expensive than pre-
mium paper grades? After the last issue went to press we asked our printer
rep: if we dumped the insert and just added eight more color pages, would it
be more expensive? Or cheaper? We got the answer the next day: it would
be cheaper!
That’s why the insert is gone. We scrambled to nd color pictures of all
the accessories found in our store, and the store catalog is now on full color
pages. So now we really are all-color, except…
Except that audio manufacturers haven’t got the word about color. Check
out the stack of three headphone amplifiers on page 38. Can you believe that’s
a color picture? There isnt a hint of a tint in any of them. Of course when
you plug one in you’ll probably see a tiny, barely visible blue diode glowing
its little non monochromatic note. Whoopee!
Even Apple, that champion of high style in consumer electronics, knows
only two colors, one of which is white and the other of which is not. Good
thing the iPod (on page 45) has a color screen. As for the tragically misnamed
iPod Hi-Fi on page 78…well, I rest my case.
And speaking of the iPod…
We’ve already mentioned that a 60 Gb iPod, the largest one available, is
part of our reference arsenal. We’ve also mentioned that we continue to reject
compressed music.
A major article in this issue (High End Hi-Fi From Your Computer) explores
in some detail how a home computer can become your main music source, and
why you dont have to leave great sound and musical sensibilities behind. The
review involves a device known as a Squeezebox, the aforementioned iPod,
and the very computer this issue was created on. You’ve read other reviews
of this sort, but this one includes one important difference. In listening, we
used exactly the same criteria we use to review even the best high end com-
ponents.
We figure you wouldn’t settle for less, and neither will we.
Editorial
About this free edition
UHF lives in great part from the sale of the full edition of the magazine. But we
also offer this free edition. The articles are not complete, as you’ll see, but many
are, and you’ll find lots to read. Of course you can order either the printed edi
-
tion or the full electronic edition, and get every word.
2 ULTRA HIGH FIDELITY Magazine
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